5 NPAC partner conferences - from Chorus America, Dance/USA, the League of American Orchestras, OPERA America & Theatre Communications Group - allow for a National Performing Arts Convention like never before. VNPAC is a performing arts community gathering in the virtual world. Everyone is invited to join the conversation & take in the events. The LIve conferences are over, but you can still join in, share, learn & be heard with recorded presentations, discussions, tweets, blogs, vlogs & postings from you – the performing arts community. We want to hear from you! Click here to see what's at VNPAC and put your voice in the mix!
A Teaser of VNPAC Postings:
COMPOSERS SHARE SECRETS OF THE OPERA AMERICA CONFERENCE
Composers Anne LeBaron and Nora Kroll-Rosenbaum attended the Opera America conference in Los Angeles June 10-12 under the auspices of Virtual NPAC and the American Music Center. They share their fascinating experiences in these wonderful video blogs! You’ll feel like you were there!
The Opera America Experience Begins by Nora Kroll-Rosenbaum June 10: Placido Domingo, advice to composers, new software & composers
Any Room for Composers? by Anne LeBaron June 11: Achim Freyer & Yuval Sharon, “Critics, Bloggers & the Changing Media Landscape,” a serendipitous meeting
Any Room for Composers? by Anne LeBaron June 11: Achim Freyer & Yuval Sharon, “Critics, Bloggers & the Changing Media Landscape,” a serendipitous meeting
Different Voices, Different Rooms by Nora Kroll-Rosenbaum June 11: In the big room: composer Daniel Catán and other leaders. “It was a very interesting conversation, with an idyllic look at what could be.” In the small room: publishers, Australian Bliss, swag & networking.
Emerging from wreckamovie: The First Social Opera by Anne LeBaron June 12: HyperOpera (you’ll want to know about it!), Jan Hultin & a new works sampler!
A Great Conversation, a Few Tips and Dating Advice by Nora Kroll-Rosenbaum June 12: “deep, strong, palpable, passionate discussions…surrounding the commissioning, performance, and subsequent life of new operas.”
